ZYZZYVA 93 / San Francisco, CA
New England Review 32.3 / Middlebury, VT
DIAGRAM 11.4 / Tucson, AZ
Camera Obscura 3 / Addison, TX
Fiddleblack 2 / Peninsula, OH
Barrelhouse 9 / Washington, DC
Antioch Review Fall 2011 / Yellow Springs, OH
Birkensnake 4 / Providence, RI
Gigantic Sequins 2.2 / Philadelphia, PA
Paris Review 199 / Manhattan, NY
Bateau 4.2 / Northhampton, MA
6x6 24 / Brooklyn, NY
David Backer edits www.fictiondaily.org .
Someone sent me a huge archive of online magazines last year and I’ve been going through it slowly. There are a lot of dead literary magazines with really interesting titles and descriptions. I just found an entry from 1995 with the following introductory letter by Doug Lawson, the editor of a (I assume dead) magazine
Could you summarize in a few sentences what The Derelict Voice is? The Derelict Voice is a literary magazine of poetry and prose. It was created as a venue for the writings of the homeless population in Chico, California. Our writing group meets every Wednesday morning at the local homeless resource center. The first volume was
I found something today; it’s very exciting. Some background: I spend a few minutes every morning trolling for news about living literature. The things I find are mostly local. They happen at community centers and libraries and small writing departments or in high school classrooms. I try not to focus on the Big Famous Writer
This past Friday Armchair/Shotgun’s editors premiered their second issue at Greenlight Bookstore in Brooklyn. It was an intimate reading, with poetry and fiction from contributors to the first two issues including Nate House, Alanna Bailey, and Zach White. (I might add here that our editor Travis Kurowski had a lovely short story in the first
While reading a brief history of Twitter recently, I was introduced to the idea of “narrowcasting,” which, according to Webopedia, is “To send data to a specific list of recipients.” Normally the term is used in reference to technologies that send out information to specific groups (eg, email lists). But every technology is an extension
I had an interesting conversation at AWP the other week that I thought worthy of a little post. I was talking to the Nonfiction Editor at Salt Hill Journal in Syracuse about online literature, and we came up with a strange question: If we think of literature, in any form, as something that enhances experience
http://publishyourstory.blogspot.com/ http://www.fictionuncovered.co.uk/ http://www.fourthirtythree.com/ http://shortstoriesforwomen.wordpress.com/ http://www.litro.co.uk/ http://ponytail-zine.blogspot.com/ http://www.shortfirepress.com/ http://alliteratimagazine.com/ http://www.spiltmilkmagazine.com/ http://spillinginkreview.com/
http://shortzmag.blogspot.com/ http://qarrtsiluni.com/ http://www.otherother.org http://www.penpushermagazine.co.uk/ http://sidebmag.com/ http://www.lightningflashmag.com http://naplitmag.com/ http://willowswept.com http://taintedtea.com http://asymptotejournal.com
Dear Online Literary Community, I’ve been thinking about what you said. After talking with friends and reading comments here and elsewhere, I want to respond to a few general things regarding my first Duckfoot proposal and then make another one. I’m committed to the idea that creative writing belongs in public discourse. I think we
Dear Online Literary Community, I had an idea recently that I want to ask you about. What do you think of having a quantitative award for literature on the Internet? The award would be given to particular stories/poems/pieces that get the most page-views. The prize could have a website too that would rank stories in
