ZYZZYVA 93 / San Francisco, CA
New England Review 32.3 / Middlebury, VT
DIAGRAM 11.4 / Tucson, AZ
Camera Obscura 3 / Addison, TX
Fiddleblack 2 / Peninsula, OH
Barrelhouse 9 / Washington, DC
Antioch Review Fall 2011 / Yellow Springs, OH
Birkensnake 4 / Providence, RI
Gigantic Sequins 2.2 / Philadelphia, PA
Paris Review 199 / Manhattan, NY
Bateau 4.2 / Northhampton, MA
6x6 24 / Brooklyn, NY
Below is a note from Quick Fiction editors Jennifer and Adam Pieroni, who recently decided to stop publishing the magazine: Long live the lit mag! But, alas, not Quick Fiction. After many wonderful years, we’re ceasing publication. Thank you for supporting, reading and constantly challenging us to send you the best little book we could manage.
Groundbreaking Evergreen Review and Grove Press publisher Barney Rosset passed away last night at the age of 89. Rosset sold Grove Press (early publisher of Beckett, Burroughs, Henry Miller) years ago, but was still publishing Evergreen Review online. Though Evergreen Review has had a long and influential history, likely it’s most memorable number was their
The 2012 AWP Conference is coming up next week in Chicago, February 29 through March 3. Below is a list of lit mag & related panels to check out. Of course there is also the on-site bookfair—hands-down largest yearly gathering of lit mags—and also a host of great lit mag off-site events to attend. Innovative,
Outside of cities with established literary and publishing scenes (basically, outside of San Francisco and New York City), how does one establish a broader literary culture? Karen Lillis: San Fran and New York are certainly prestigious and concentrated book towns, but so many cities have active lit scenes or tight-knit poetry communities. Chicago is a great
Some editors and writers view the literary magazine world a necessary one for the ends of aestheticism and intellectual conversation: for, simply put, a piece of writing to live, and to be read. Yet those who hope for monetary payment are not automatically writing for that sole purpose; often times they are part of the
Lit mags (and Luna Park) make Stephen Heyman’s column in The New York Times Style Magazine: Consider the literary magazine. Cloaked in pointy-headed obscurity, it almost always loses money. And now, with printed media on the endangered list, it may seem especially at risk to go extinct (or online-only). But these scrappy journals are actually enjoying something of
The sixth installment of Words Without Borders’ International Graphic Novels issue series is up online—their February 2012 issue.
[The New Yorker] published 116 poems in 2009. At about four poems a page, that makes 29 pages, which means, with a circulation of roughly a million, The New Yorker prints approximately 29 million pages of poetry annually. That constitutes a considerable corporate commitment to verse. —from “A Passion for Poetry” by Spencer Bailey in The New
Smuggling Afghan heroin or women from Odessa would have been more reprehensible, but more logical. You know you’re a fool when what you’re doing makes even the post office seem efficient. Everything I was packing into this unwieldy, 1980s-vintage suitcase was available online. I don’t mean that when I arrived in Berlin I could have
The works presented in this issue either started out hardcopy or writers were asked to mail in a hardcopy form of a digitally accepted work; the piece, after arriving in the post, then became re-digitized in transfer to this particular here. Why go through all the bother? What interested us for this issue was the
